Hand Papermakers' Archive
Mary Tasillo
First interest in hand papermaking process: 2002
First piece of handmade paper: 1993
First handmade paper artwork: 2004
Beginning of active practice: 2002
Images
Click on an image for the full view.
Mary's Work in Hand Papermaking:
Artist who uses handmade paper for book arts
Artist who uses papermaking for three-dimensional work
Artist who uses papermaking for two-dimensional work
Educator who teaches hand papermaking (any facet)
Production hand papermaker
Writer on topics related to hand papermaking
Mary's Introduction to Hand Papermaking:
Apprenticeship
Influences on Mary's Work in Hand Papermaking:
Publications initially important to Mary:
Hand Papermaking : null
Papermaking with Plant Fibers : Helen Hiebert
The Papermaker's Companion : Helen Hiebert
Publications eventually important to Mary:
Hand Papermaking : null
Countries where Mary's studied:
Raw materials used by Mary in Hand Papermaking:
Chemicals used by Mary for cooking fibers in Hand Papermaking:
Tools and methods used by Mary for beating in Hand Papermaking:
Style of sheet forming used by Mary in Hand Papermaking:
Years teaching hand papermaking: 6
Teaching formats used by Mary:
Mary's Income Contribution from Hand Papermaking:
a little
Narrative:
Frequently used techniques: a range of pulp stenciling/pulp printing techniques, community-base papermaking and pulp printing interactions
Collaboration: create work under the name Book Bombs with Michelle Wilson
Major influences, with whom I did not work directly: Eric Avery, John Risseeuw
www.citizenhydra.net
www.bookbombs.net
Questions:
null