suzanne vilmain

Address3 bundy road
Citysanta fe
State/Provincenm
Postal Code87506
CountryUSA
Phone Number505-920-9178
E-mail Addresssuzanne@vilmain.net
Websitehttp://counting-coup-press.blogspot.com/2013/07/exquisite-edge-lace-sketchbook-of.html

First interest in hand papermaking process: 2013

First piece of handmade paper: 1992

First handmade paper artwork: 2013

Beginning of active practice: 2013

suzanne's Work in Hand Papermaking:

  1. Artist who uses handmade paper for book arts
  2. Artist who uses papermaking for three-dimensional work

suzanne's Introduction to Hand Papermaking:

  1. Workshops

Influences on suzanne's Work in Hand Papermaking:

Primary
  1. An individual

Publications initially important to suzanne:

Publications eventually important to suzanne:

Countries where suzanne's studied:

Raw materials used by suzanne in Hand Papermaking:

Chemicals used by suzanne for cooking fibers in Hand Papermaking:

Used Routinely
Used Sometimes
Used Rarely

Tools and methods used by suzanne for beating in Hand Papermaking:

Used Routinely
Used Sometimes
Used Rarely

Style of sheet forming used by suzanne in Hand Papermaking:

Used Routinely
Used Sometimes
Used Rarely

Years teaching hand papermaking: null

Teaching formats used by suzanne:

Used Routinely
Used Sometimes
Used Rarely

suzanne's Income Contribution from Hand Papermaking:

  1. a little

Narrative:

Twenty years ago i took a workshop with Sukey Hughes making washi papers and thought I'd never do that again. Then two months ago, I took a workshop with Helen Hiebert and fell in love with the process and have been making paper ever since. I just finished my 5th book using handmade papers. This is not to say anything negative about Sukey or her teaching. I still have the papers I made with her. I'm a letterpress printer and book artist and have worked for years as a graphic designer. suzanne vilmain counting coup press santa fe, nm a sweet anecdote: Being a beginner, yet very motivated by all things paper, I set up my papermaking studio outside my yurt under a russian olive tree. I made paper everyday for a couple weeks in June during a heat wave and fires burning nearby and then last weekend the rains came suddenly. I had couched two sheets of abaca together and left out on my table and waited out the rains for an hour inside reading an old issue of Hand Paper Making -- Tim Barrett writing about the aesthetics of a perfect sheet. When I went back outside, the sheet was rain cratered evenly and dryed to lace the next day! A beautiful accident/accent of nature!

Questions:

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