: Dividing my time for the last ten plus years between Japan and the US and studying Japanese calligraphy, I continue to explore and use fragments of my study and embed them in the hand paper making process both in my own studio and at Dieu Donne and other paper making facilities In Japan I visit small hand papermakers and any museums and facilities available related to papermaking. The same has applied when in China and Taiwan, albeit briefly..
: The process of papermaking with the mystery that always comes with it
: I attended the School of the Art Institute in Chicago while Karen Stahlecker and Marilyn Sward there studying for their MFAs. It was an exciting and heady time just to be around them I was a studen-at-large.